Marin Shakespeare Company has outdone itself with ‘Amadeus,’ the witty, captivating play by Peter Shaffer….the production is sumptuous and engaging from start to finish….Elsman…portrays Salieri with tremendous range, from pious composer of middling talent to conniving, reptilian codger desperate to have his name resound through the ages….Although entertaining and often funny, ‘Amadeus’ raises profound questions beneath the shine of gossip and scandal….Sound design by Billie Cox is both whimsical and powerful.
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amadeus shakespeare


Fortunately, the painstaking revisions improved the play tenfold, making Amadeus not just a fascinating biographical drama, but one of the most glorious rivalries in dramatic literature.

Drew Hirshfield as his nemesis is just as good….Hirshfield gives his character a forceful blend of impishness and vulnerability, a profane Peter Pan with a talent he scarcely seems to understand. With crisp comedic flair, Mark Robinson and Rafael Untalan play the Venticellos….This memorable show, among MSC’s best in recent years, accomplishes the tricky task of amusing, bemusing and provoking.”, William Elsman excels as Salieri….Tall and sinewy, he is a charismatic figure on stage, totally at ease with the excesses of arrogance and self-flagellation that Shaffer’s melodrama demands.…Drew Hirshfield is a hyper-kinetic Mozart, leaping about, giggling incessantly, tossing off references to private body parts and generally behaving so outrageously that it raises doubts about whether he’s in command of his sanity.”, Charles Brousse – Marin Independent Journal, “The set design of Bruce Lackovic introduces the performance. Live performers on a stage really draw us in and when the star is as good as Elsman, the audience is totally intrigued by Salieri’s struggles with mediocrity verses genius.”. However, I'm more interested in rivals that respect one another to some degree. Mozart has to deal with a court for which he is ill prepared, especially since Mozart is clearly childish in his business and political pursuits, all too often withdrawn from society to compose when he could be performing, and living far more extravagantly than his means.

He portrays the character as a child prodigy who never grew up. The big motivation to choose the play for the 2008 season was the 2007 cast parties, where a lanky Bill Elsman was wont to amuse the rest of us with his impersonation of a clueless young actress named Wendy alternating with chunks of Salieri. Sometimes rivals are forged by a rift in ideologies, as with Javert and Jean Valjean in Les Misérables. He wanted to make substantial changes before Amadeus premiered on Broadway.


As much as he at first worshiped Mozart’s music as a connoisseur from a distance, Salieri was stunned when he met Mozart as an adult and realized Mozart was as irreverent as Salieri was reverent. Salieri has been court composer for quite some time. He wants to please his father - even after his father's death. Alexandra Matthew, whose Hermione in Winter’s Tale was pure and white as marble, is sexy and glowing as Salieri’s young and ambitious pupil….Elsman is charismatic….he is always vividly human….Hirshfield captures both the charm of the child and the pathos of the starving artist who looks for rescue from a man who wishes him dead. Costumes by Patricia Polen are elegant and eye catching. Instead, Salieri was a mediocre composer, just as history has judged him. The opening lines in Peter Shaffer’s play about the life of Wolfgang Amadeus Mozart are delivered by the story’s presumed antagonist, and narrator, Antonio Salieri, once a high-ranking and... Who was Salieri in the movie version of "Amadeus?". © 2020 eNotes.com, Inc. All Rights Reserved. Alexandra Matthew…gives a captivating performance as Salieri’s pupil, Katherina Cavalieri. As is not always the case, the pieces of the puzzle fell beautifully into place. Our summaries and analyses are written by experts, and your questions are answered by real teachers. A month after the 2008 season ended, Bill proposed to Alexandra – life imitating art again! A grayish-white replica of an 18th century piano stands at the right of the stage, completed by props designer Joel Els. The Winter’s Tale is a strangely moving and beautiful story of a man who makes terrible mistakes while incorrectly accusing his wife of adultery, yet eventually achieves a sort of grace and forgiveness through the passage of time. The actor holds the attention of the audience, especially in the touching finale to the soliloquy of Mozart’s “The Marriage of Figaro.” He also handles well the alternating between the old and middle-aged Salieri. Mozart seduced a beautiful singer, a pupil of Salieri's. He is astonishing with his puerile behavior and rash tongue that wreaks mayhem with his career and marriage. Robert Currier had been thinking about producing Amadeus for years. The man is Salieri, retired court composer to the Habsburg emperor Joseph II; he is sitting in his apartment in Vienna. The sets (by Bruce Lackovic) and costumes (by Patricia Polen) contributed immensely to the entire experience.”, © Marin Shakespeare Company 415.499.4488 Forest Meadows Amphitheatre 890 Belle Ave. San Rafael, CA, 94901, Videos, Creative Writing, Success Stories. But as great as the film version is, “the play’s the thing,” providing an immediacy to audiences that a movie never can. PostClassical Ensemble, conducted by Angel Gil-Ordóñez, with Washington Ballet Studio Company and new choreography by Igal Perry.
Marin Shakespeare Company has outdone itself with ‘Amadeus,’ the witty, captivating play by Peter Shaffer….the production is sumptuous and engaging from start to finish….Elsman…portrays Salieri with tremendous range, from pious composer of middling talent to conniving, reptilian codger desperate to have his name resound through the ages….Although entertaining and often funny, ‘Amadeus’ raises profound questions beneath the shine of gossip and scandal….Sound design by Billie Cox is both whimsical and powerful.

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