The conversation is timeless — who hasn’t questioned a snobby friend about their high-minded choices? Want more Rolling Stone? When they get off the plane in the series’ opening minutes, Sarah and Maggie are trying to pin down where their son’s missing bag has landed, and he requests a drink to help counter his distraught state. Truth is, I don’t know who I am anymore.”. We Are Who We Are's Jack Dylan Grazer Unpacks Fraser's Relationship to Masculinity "It's a waste of life" The Best Shows and Movies to Watch This Week: The Third Day , The Devil All the Time Such moments, when time dilates and an audiovisual medium achieves almost tactile vividness, are Guadagnino’s trademark. ‘We Are Who We Are’ Review: Luca Guadagnino’s Lyrical HBO Series Is Your End-of-Summer Obsession Beautifully shot, paced, and performed, the … (Mostly.) Some such moments are heavy and hard, but Guadagnino balances them with a bevy of joyful, blissful, and endearing experiences to make the first four episodes go by in the blink of an eye. Yet his sensibility doesn’t fully translate to TV. The soundtrack mixes modern pop and hip-hop with classical pieces — Blood Orange and composer John Adams are crucial sonic guideposts — in a way that adds depth and tension to even the most leisurely afternoon spent in the company of Fraser and Caitlin, while making the bigger emotional moments soar. Characters are built efficiently and naturally, as the writer-director (working alongside fellow screenwriters Paolo Giordano and Francesca Manieri) uses his intimate understanding of people to build a connection between his subjects and his viewers that’s as warm and welcoming as his beautiful sunbaked setting. Stay on top of the latest breaking film and TV news! ', “I used to be a lot of things,” Army wife Jenny (Faith Alabi) admits. Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. This Article is related to: Television and tagged HBO, Luca Guadagnino, TV Reviews, We Are Who We Are. Directed and co-written by Guadagnino, “We Are Who We Are” isn’t so much a coming-of-age story as a celebration-of-age story; at the end of America’s lost summer, it’s a deeply felt recognition of teenage vitality, capturing and honoring the symphony of emotions that make so many of these youthful moments feel monumental. In the third episode of “We Are Who We Are,” Luca Guadagnino’s living teen travelogue, two young high schoolers lay face up in a canoe. It’s only when Fraser pushes his way into her life that she starts opening up. Characters are more flexible in their identities than meets the eye. His hair is long, scraggly, and bleached blond; his nails are painted yellow and black; his clothes are obnoxiously trendy, the kind of 2010s fashion that strives to look like it was dug out of a bargain bin when, in reality, “you don’t want to know” how much it cost (as Fraser tells inquisitive peers). They make each other make sense. Sarah is dominant at work and in her marriage but absorbs violent attacks from her emotionally disturbed son. The same can be said for every word, shot, and sequence that makes up the unique yet universal HBO series “We Are Who We Are,” including this scene. While a movie is self-contained, We Are Who We Are doesn’t generate enough narrative momentum in early episodes to either hook weekly viewers or fuel an eight-hour binge. No matter how annoying these descriptors may sound, Guadagnino introduces compelling distinctions for his young protagonist quickly and with ferocity. And sometimes, she puts on a loose button-down shirt, stuffs her long, wavy hair into a cap and lets girls mistake her for a boy. Fraser is an angsty 14-year-old New Yorker with painted fingernails and a fuzzy upper lip. Review: ‘We Are Who We Are’ Captures Not-So-Innocents Abroad Luca Guadagnino’s HBO series is a heady teen drama of hormones and self-discovery on … Fraser’s put-upon attitude befits his unspoken privilege. It’s the same with poetry. ‘We Are Who We Are’ SE01E06 Review – “Right Here, Right Now #6” October 21, 2020 October 21, 2020 Cameron Milan 2 Views 0 Comments Chloë Sevigny, Coming-of-age, Drama, Francesca Scorsese, HBO, Jack Dylan Grazer, Jordan Kristine Seamón, Scott Mescudi, Tom Mercier Sexuality is a pertinent theme, but it feels like an innocent exploration for these kids, rather than the fearful, dangerous world depicted in HBO’s other teen drama, “Euphoria.” There are firmly held beliefs that could stir up problems with disapproving parents, sure, but Guadagnino’s series offers insight into Gen Z teens without alienating (aka scaring the bejesus out of) anyone older (a la “Euphoria”). With half the episodes yet to be seen, “We Are Who We Are” could go in a lot of different directions, but it already feels bursting with life in the way great television often does. The cinematography is often stunning, like a food-fight tableau that suggests a more rambunctious Last Supper. Families on a U.S. Army base in Italy struggle with love, duty, and identity in a place where conformity rules, Jordan Kristine Seamón and Jack Dylan Grazer in 'We Are Who We Are. By signing up you are agreeing to our, Exclusive: Alleged Hunter Biden Emails Circulated in Ukraine, Sign up to receive the top stories you need to know now on politics, health and more, © 2020 TIME USA, LLC. When she’s on her own, she says she’s often bored, even though she’s dating multiple people and zipping off to the beach with her many friends. Sevigny and Cudi are both convincingly military in their bearing, even though Sarah and Richard are otherwise so very different, while Braga and Alabi say a lot with a little about what it’s like to bend your life in service to a dominant spouse who’s only vaguely aware of your sacrifices. With Jack Dylan Grazer, Jordan Kristine Seamón, Chloë Sevigny, Alice Braga. That may not be instantly clear in the opening episode, which focuses on Fraser and his family’s arrival at an army base in Italy. Guadagnino lingers on blurred binaries—straight and gay, Black and white, adolescence and adulthood, love and hate. Tom Green on His Wild New Journey and Classic MTV Bits, Harry Styles Explores Italy in Gleeful ‘Golden’ Video, See Pre-Fame Sebastian Bach, Zakk Wylde Jam on Led Zeppelin at a 1987 Wedding, Doobie Brothers Team Up With Peter Frampton for Cover of Eric Clapton’s ‘Let It Rain’, Harry Hudson Discusses Journey With Cancer and How ‘Just Living’ Inspired His New Album, Sacha Baron Cohen Talks Filming That Giuliani Scene, Other Wild ‘Borat’ Moments on ‘Colbert, ‘How to With John Wilson’: Where Digression Meets Delight, ‘The Undoing’: Nicole Kidman, Hugh Grant, and That Old Familiar Feeling. Auteurs from David Lynch to Paolo Sorrentino to Jane Campion have adapted their signature styles to a serialized format. When the story finally starts to move, what emerges isn’t a galvanizing problem so much as a sense that each character, no matter how seemingly clear, will come to surprise us.
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